It’s been a while since I’ve read one of Bernard Cornwell’s novels. For a long time he was one of my favorite authors. But after reading all the Sharpe novels, the Grail Quest-series, the Warlord chronicles, the Starbuck chronicles and some of his standalones, the whole series around Uthred (“The Saxon stories”) just doesn’t kick in. It’s just Sharpe with a different name in a different time. Yes, all the books about Uthred are on my shelves but I stopped reading them after “The lords of the north”. And most of the books Bernard wrote the last couple of years are either about Uthred or are standalones. How does it come that a favorite author loses his shine after a while?
Berend once explained – I think it was on his website – that he had a schedule for writing a book. And I think, after reading almost all of his books, that this schedule is becoming too apparent. It is not that his schedule ‘makes’ a bad book, it’s just that after a while they all seem alike, only the time, the battle and the hero are different.
If you look at the historical periods Bernard writes about, there also is a kind of schedule. Most of his books take place during a war, which at least involves a major battle. For instance: the Sharpe novels: Napoleonic wars; The Grail Quest: Hundred Years War; the Starbuck chronicles: American Civil War; Agincourt: the Battle of Agincourt (1415). Strangely enough, Bernard doesn’t try to write about the Romans. Maybe he really doesn’t need the competition from Simon Scarrow (“The Cato-series”).
Even the ones who don’t clearly take place during a war – for instance “A crowning mercy” – have some kind of militaristic background or feel to it. So Bernard needs war, battle or any military action to place his characters, and to have control of their actions and adventures. The war/battle/military action provides a nice framework in which certain events are locked and the outcome is most certainly set. Because Bernard does not let Napoleon win the battle of Waterloo. No, his novels are more or less historically accurate. No flying dragons like “The Temeraire”-series by Naomi Novik (fun!) or a complete alternative history, like “Fatherland” by Robert Harris (still to read). Bernard’s alterations are minor: a different detachment who reached the battlements first, a different hero (Sharpe!) who saves the day. In his ‘Historical notes’ at the end of each novel, Bernard sets straight all the historical deviations.
All in all: does Bernard writes bad books? No, absolutely not. They are entertaining, comprising (necessary) violence, romance, adventure, alpha males and history in one book. Although not all the historical background is evenly interesting (at least to me), the novels still have a good pace and enough happens. Never a dull moment with Bernard. Just don’t read them all in one go.
Maybe I should give his books one more try…







